Pigment inks on hahnemuhle photo rag 308gsm, 1630 x 830mm
‘SWL_0AA1′ was exhibited in Vivid Vibration 2015 at Nadene Milne Gallery ‘SWL_0AA1′ is part of a series of works described as “digital reverberations”. Each work is a composite, it’s constituent parts appropriated from paintings by the artist, and digitally manipulated to construct iterations of the original paintings. Visually the works reference...
Pigment inks on hahnemuhle photo rag 308gsm, edition of 5, 830 X 1630mm
‘D1S_PIX_1AA2‘ was exhibited in Vivid Vibration 2015 at Nadene Milne Gallery ‘D1S_PIX_1AA2‘ is part of a series of works described as “digital reverberations”. Each work is a composite, it’s constituent parts appropriated from paintings by the artist, and digitally manipulated to construct iterations of the original paintings. Visually the works reference the...
Pigment inks on hahnemuhle photo rag 308gsm, edition of 5, 1470 x 1030mm
‘ES_05H_2C_BB3‘ was exhibited in Vivid Vibration 2015 at Nadene Milne Gallery ‘ES_05H_2C_BB3‘ is part of a series of works described as “digital reverberations”. Each work is a composite, it’s constituent parts appropriated from paintings by the artist, and digitally manipulated to construct iterations of the original paintings. Visually the works reference the...
Pigment inks on hahnemuhle photo rag 308gsm, edition of 5, 1630 x 830mm
‘D1SRE_02A_12C_AA4T’ was exhibited in Vivid Vibration 2015 at Nadene Milne Gallery ‘D1SRE_02A_12C_AA4T’ is part of a series of works described as “digital reverberations”. Each work is a composite, it’s constituent parts appropriated from paintings by the artist, and digitally manipulated to construct iterations of the original paintings. Visually the works reference the formalising...
Pigment inks on hahnemuhle photo rag 308gsm, 830 x 1630mm
‘T2F_0BB3’ was exhibited in Vivid Vibration 2015 at Nadene Milne Gallery ‘T2F_0BB3’ is part of a series of works described as “digital reverberations”. Each work is a composite, it’s constituent parts appropriated from paintings by the artist, and digitally manipulated to construct iterations of the original paintings. Visually the works reference the...